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Auditions & Submissions

2025 - 2026 Season

2024-2025 Season
Auditions & Submissions

Casting Statement:

American Stage Theatre Company is committed to an inclusive, anti-racist casting policy. 

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American Stage Theatre Company is committed to creating a healthy and inclusive space for artists of all cultures and backgrounds to share their full humanity, during this exciting but challenging time. American Stage Theatre Company chooses to build upon our legacy and create a new American Stage that enriches and embodies the rich diversity and cultural tapestry of America and truly reflects the American experience.

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Casting and Audition Goals:

  • We will strive to have at least ¼ of the cast composed of BIPOC artists.
  • We will aim to have ¼ to ½ of our cast composed of local artists. 
  • We will support our artists during the rehearsal and production process with cultural consultants, practitioners, technicians and designers of color or allies who are educated on the needs and experiences of artists of color.

NOTE: If you have performed with American Stage within the past two seasons, you do not need to audition at the season auditions. Simply email us at auditions@americanstage.org with the shows for which you would like to be considered.

SEEKING

Actors

American Stage Theatre Company is seeking Equity and Non-Equity actors for the 2024-2025 Season. Please see specific casting breakdown, dates and instructions below. 

If you have performed with American Stage within the past two seasons, you do not need to audition at the season auditions. Simply email us at auditions@americanstage.org with the shows for which you would like to be considered.

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Designers, Directors and Stage Managers

If you would like to be considered for work on our Mainstage, Park or Beyond productions, please send your resume to artistic@americanstage.org. We work with SDC, USA, AEA and non union.

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Script Submissions

American Stage Company is proudly committed to powerful stories, boldly told. We accept full-length scripts, year-round from literary agents, as well as from theatre professionals with whom we have an existing relationship.

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As part of American Stage’s commitment to local artists, we will also accept a 10-page script sample from Florida-based playwrights, which must include a resume, a play synopsis, and a statement explaining why your play might be a good fit for American Stage.

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We have a special interest in plays written by and for diverse voices & plays written by women playwrights. We strongly encourage familiarizing yourself with the kind of work we do by reading our mission and production history before submitting. 

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*Electronic submissions only.  

Please send your materials to: artistic@americanstage.org

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IMPORTANT INFORMATIOn

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Equity Principal Auditions will be held on: 

  • Tuesday, May 21, 2024 from 2:00pm-9:00pm EST with a break from 5:00pm-6:00pm EST.
  • Wednesday, May 22, 2024 from 9:00am-5:00pm EST with a break from 1:00pm-2:00pm EST. 

Non-Equity Auditions will be held on: 

  • Sunday, June 2, 2024 from 5:00pm-10:00pm EST with a 15-minute break halfway through the evening.

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Location:

Address: 163 3rd Street N St. Petersburg, FL 33701

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American Stage Theatre Company  is located inside of the St. Petersburg College Downtown Center Building. There is street and metered parking around the building. You may also park in the paid lot on 2nd Ave N next to Hops 2.0 or at the Sundial Garage on 2nd St between 1st and 2nd Ave N ($1 for the first 4 hours).  Please use the Third Street entrance into the SPC building and follow signs to the second floor. An American Stage team member will be there to help direct you.

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AEA Members

To schedule an appointment, please go to: https://amstage.wufoo.com/forms/m12gpe5e0ed89c1/.

Only AEA members may make an appointment on May 21, 2024 and May 22, 2024. Equity actors without appointments will be seen throughout any audition days, as time permits. Non-equity actors may arrive at the top of either Equity audition day and put their name on a waitlist. They will be seen as time permits. We encourage non-equity actors to attend the non-equity call.

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American Stage is accepting video submissions for Equity actors who are unable to attend the EPA in-person. To submit virtually, please go to: https://amstage.wufoo.com/forms/q14ew7hk1d1xn15/. Video submissions will be accepted through June 2, 2024.

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Non-Equity Actors

To schedule an appointment, please go to: https://amstage.wufoo.com/forms/m12gpe5e0ed89c1/.

Actors without appointments will be seen throughout any audition day, as time permits.

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American Stage is accepting video submissions for Non-Equity actors who are unable to attend the Non-Equity Audition  in-person. To submit virtually, please go to: https://amstage.wufoo.com/forms/q14ew7hk1d1xn15/. 

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NOTE:

  • THE NON UNION AUDITION SLOTS ARE CURRENTLY FULL. YOU MAY SIGN UP FOR AN IN PERSON AUDITION ON AEA DAYS WHICH HAVE A LOT OF SLOTS AVAILABLE, BUT BE AWARE THAT ANY UNION ACTOR MAY DROP IN TO AUDITION AND MUST BE GIVEN PRIORITY ON THOSE DAYS. WE WILL DO OUR BEST TO SEE EVERYONE WHO SHOWS UP IN PERSON.

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Contract:

  • American Stage Theatre Company operates under an SPT-7 contract, pending approval. Approximately $638 weekly minimum for equity actors and $550 weekly minimum for non-union actors. ‍
  • ‍American Stage Theatre Company’s “Musical in the Park” production operates under a LORT contract, pending LOA. Approximately $776 weekly minimum for equity actors and $550 weekly minimum for non-union actors. ‍
  • ‍American Stage Theatre Company provides housing and travel for artists who do not reside in the St. Petersburg/Tampa Bay area (50 mile radius). 

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Other: 

  • An Equity Monitor will not be provided. The producer will run all aspects of this audition. 
  • Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. 
  • ‍Always bring your Equity Membership card to auditions.‍

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Auditions may be viewed by:

Helen Murray, Producing Artistic Director

Jose Aviles, Director of Education

Randi J Norman, Director of Marketing & Communications

Alexandria Blaha, Company Manager

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Preparation:

Please prepare either: 

  • Two contrasting monologues not exceeding 90 seconds. 
  • One 45 second monologue and a 16 bar cut. 

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An accompanist will be provided. Please bring sheet music. Please bring a hard copy of your headshot and résumé stapled together. 

Ragtime

Book by Terrence McNally
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Directed by Erica Sutherlin
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Important Dates
Rehearsals Begin: March 14, 2023
Tech: April 3-9, 2023
Previews: April 14, 2023
Performance Run: April 14 - May 14, 2023

‍Other Important Information
NOTE: We are casting this production diversely, BIPOC actors will be considered for roles not traditionally cast.

Seeking

American Stage seeks vaccinated Equity actors for a variety of roles in the final three productions for the 22-23 mainstage season titled, THIS IS AMERICA. 

Non-equity performers are permitted to submit, after all Equity members are seen. 

All first round auditions will be held in person, with video submissions being accepted for non local artists. Callbacks may be held in person at American Stage for local artists and virtually for non local artists. 

All roles will be understudied.

Preparations Instructions

WHAT TO PREPARE
Actors who would like to be considered for Ragtime should prepare a monologue and 16 bars of a song that highlights their vocal range and allows the actor to showcase their storytelling ability.
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PERSONEL
‍The following individuals may be viewing auditions:
Helen Murray, Producing Artistic Director
Patrick Arthur Jackson, Associate Artistic Producer
‍Alexa Perez, Artistic Fellow
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SUBMISSION INSTRUCTIONS 
Equity members may schedule an appointment via Auditions Manager: https://auditionsmanager.com/registration.php?AU=yTbpwp806

Non-Equity actors should request a standby appointment by emailing auditions@americanstage.org

Video Submissions for Non-Local Equity and Non-Equity actors who are unable to attend in person auditions can submit video submission and headshot/resume via Auditions Manager: https://auditionsmanager.com/submission.php?AU=sMVA4Y805

Video Submissions will be accepted through November 20th, 2022 at 9PM EST. Video submissions are limited to actors who cannot physically attend in person auditions on Saturday, November 19 and Sunday, November 20 from 1PM-9PM EST.

SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D  + health and pension approximately $650

American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.

AUDITION BREAKDOWN

PARTS DENOTED BY * WILL PLAY MULTIPLE ROLES AS NEEDED‍ENTIRE CAST DOUBLES AS ENSEMBLE AS NEEDED

‍COALHOUSE WALKER JR.- African-American he/him. 25-35 (range: Ab to G, with a sustained high F#). A proud and talented pianist, confident and stubborn. Sophisticated with a romantic demeanor and a gentle heart. Piano playing is helpful but not essential. PRINCIPAL

MOTHER-Anglo-American she/her/hers. 30+ (lyric soprano; range: low G to high Eb on staff) gentle, compassionate, optimistic PRINCIPAL

TATEH- Eastern European/Jewish Immigrant, he/him/his, 30+. slight accent, (strong tenor; range: Db to high F#) intelligent, passionate, creative. PRINCIPAL

SARAH- African-American, she/her/hers, Late teens-early 20's. Late teens-early 20's (lyric soprano; range: low G# to high F# on staff) PRINCIPAL

FATHER*- Anglo-American, he/him/his, 40+. (strong baritone; range: B to E on staff) cautious; resistant to change PRINCIPAL

YOUNGER BROTHER*- Anglo-American, he/him/his, 20-25+. (tenor/baritone with strong top range: B to high F#) passionate anarchist; intense and high-strung PRINCIPAL

LITTLE BOY- Anglo-American male. 8-12 (juvenile voice; range: E to Db on staff) precocious and curious. PRINCIPAL

LITTLE GIRL- Tateh's daughter: Eastern European/Jewish Immigrant she/her/hers. 8-12 (juvenile voice; range: E to Db on the staff) quiet and shy. PRINCIPAL

EMMA GOLDMAN*- Eastern European/Jewish Immigrant; she/her/hers/ 40+. slight accent. (alto, range: low G# to Db on staff) PRINCIPAL

HARRY HOUDINI*- Hungarian Immigrant, he/him/his, 30+.; Magician/bodybuilder. (tenor; range: mid. C to high G) Familiarity with magic/escape tricks a plus. PRINCIPAL

EVELYN NESBITT*- Anglo-American she/her/hers. Vaudevillian performer. 18-25 (belter/soprano, range: middle C to Db on staff) PRINCIPAL

GRANDFATHER*- Mother's father, Anglo-American he/him/his. 55+ (strong baritone) gruff & outspoken. PRINCIPAL

BOOKER T. WASHINGTON*- African-American he/him/his, distinguished. 45+ (strong baritone) PRINCIPAL

HENRY FORD*- Anglo-American he/him/his. 30-45 Wiry. Resemblance to actual historical figure a plus, (strong tenor/baritone) PRINCIPAL

J.P. MORGAN*- Anglo-American he/him/his, 45+. banking mogul. (strong baritone) Stout. Imposing. Resemblance to actual historical figure a plus, PRINCIPAL

WILLIE CONKLIN*- Anglo-American he/him/his; Tough, crass, working class. 30-45 (strong baritone D to F) PRINCIPAL

SARAH’S FRIEND*- African-American she/her/hers, 20-40. Must have a very strong gospel sound capable of “taking us to church.” 

COALHOUSE’S FRIEND*- African-American he/him/his, 20-40. Strong singer and actor. Capable of playing several different roles.

ENSEMBLE #1*- Any Ethnicity. she/her/hers. 20-40. Strong singer and actor. Capable of playing several different roles.

ENSEMBLE #2*- Any Ethnicity. he/him/his. 20-40. Strong singer and actor. Capable of playing several different roles.

Disgraced

By Ayad Ahktar
Directed by Sharifa Yasmin
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Important Dates
Rehearsals Begin: May 9, 2023
Tech: May 26-28, 2023
Previews: May 30-June 1, 2023
Performance Run: June 2-June 25, 2023

‍Other Important Information
‍American Stage operates under an SPT-7 contract and provides individual housing and travel for guest artists who do not reside in the Tampa Bay Area (50 mile radius). EMC points are available for those who qualify.

Seeking

American Stage seeks vaccinated Equity actors for a variety of roles in the final three productions for the 22-23 mainstage season titled, THIS IS AMERICA. 

Non-equity performers are permitted to submit, after all Equity members are seen. 

All first round auditions will be held in person, with video submissions being accepted for non local artists. Callbacks may be held in person at American Stage for local artists and virtually for non local artists. 

All roles will be understudied.

Preparations Instructions

WHAT TO PREPARE
Actors who would like to be considered for Disgraced or La Gringa, should prepare two contrasting monologues.
‍
PERSONEL
The following individuals may be viewing auditions:
Helen Murray, Producing Artistic Director
Patrick Arthur Jackson, Associate Artistic Producer
‍Alexa Perez, Artistic Fellow
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SUBMISSION INSTRUCTIONS 
Equity members may schedule an appointment via Auditions Manager: https://auditionsmanager.com/registration.php?AU=yTbpwp806

Non-Equity actors should request a standby appointment by emailing auditions@americanstage.org

Video Submissions for Non-Local Equity and Non-Equity actors who are unable to attend in person auditions can submit video submission and headshot/resume via Auditions Manager: https://auditionsmanager.com/submission.php?AU=sMVA4Y805

Video Submissions will be accepted through November 20th, 2022 at 9PM EST. Video submissions are limited to actors who cannot physically attend in person auditions on Saturday, November 19 and Sunday, November 20 from 1PM-9PM EST.

SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D  + health and pension approximately $650

American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.

SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D  + health and pension approximately $650

American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.
SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D  + health and pension approximately $650

American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.

AUDITION BREAKDOWN

AMIR: 30’s, Pakistani-American, he/him/his. He is Emily’s husband and Abe’s uncle. Amir is a brilliant, ambitious, and successful lawyer. He is so sharply dressed and sophisticated it nearly masks his deep self-consciousness and insecurity. He is very “liberal” in his view of religion and a critic of Islam. He feels he is on the verge of a career breakthrough but is insecure about his standing at the firm. Role will be cast with a South Asian actor.

EMILY: 30’s, White, she/her/hers.  Amir’s wife is warm, articulate, and compassionate, a complement and contrast with Amir.  She is a talented painter on the cusp of significant success.  She developed an interested in the art of Islam as a way to understand her husband’s culture and has worked hard to educate herself and broaden her personal and world views. 

ABE: early 20s, Pakistani-American, she/her/hers. Amir’s nephew is “As American as American gets,” vibrant and endearing in his hoodie, skinny jeans, and high-tops.  He is strong, quiet, and a thoughtful, passionate young man of conviction.  He is smart and engaging with an awakening sense of social and personal justice. 

ISAAC: 30’s, White, he/him/his.  Isaac is a curator at the Whitney Museum, a man with immense power in the art world, which he knows but doesn’t often flaunt.  As part of the intellectual elite in New York City he is quick with a quip and a sharp critical eye and tongue.  He would be irritatingly snobbish if he weren’t also charming.  He is not political by nature but he is a committed Jewish liberal.

JORY: mid to late-30s, African-American, she/her/hers.  Jory, Isaac’s wife, is an ambitious and savvy lawyer, intelligent, commanding, forthright.  She is confident and self-assured having wrestled her way to the top of the law firm where she and Amir work.  She is not afraid to fight for what she wants and get her hands dirty if necessary.

Ring of fire
The Music of Johnny Cash


Created by Richard Maltby, Jr. 
Conceived by William Meade
Orchestrations by Steven Bishop & Jeff Lisenby
Directed by Helen R. Murray
Music Director: TBD
Choreographer: TBD
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Important Dates:
Rehearsals begin: September 3, 2024
Previews: September 25 - September 26, 2024
Opening: September 27, 2024
Closing: October 20, 2024

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SYNOPSIS

From the opening chords of vintage country to rockabilly, rock 'n’ roll, searing ballads, and gentle songs of love and deep faith, RING OF FIRE gives the music the spotlight, as a core group of talented actor/musicians celebrate the songs that are the heart  and soul of our shared experiences.

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SEEKING

[Trenna] Female-presenting; all ethnicities; 20-40; vocalist who plays everything from a farmhouse mother to June Carter; plays acoustic guitar; proficiency with multiple instruments is a plus

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[Jason] Male-presenting; all ethnicities; 40-60; plays acoustic guitar; proficiency with multiple instruments is a plus

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[Dave] Male-presenting; all ethnicities; 20-40; plays electric guitar, banjo, and fiddle; proficiency with multiple instruments is a plus

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[Eddie] Male-presenting; all ethnicities; 20-40; plays acoustic and electric guitar; proficiency with multiple instruments is a plus

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[Mark] Male--presenting; all ethnicities; 20-40; plays bass (preferably double bass but electric bass can be used) and various percussion; proficiency with multiple instruments is a plus

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Note: 

If called back, actors may be asked to show their instrumentation skill. 

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NOTE: Local non union actors will also be considered for American Stage's School Tour of a new work entitled Familia de Flamingos and our Beyond the Stage Series of immersive work in partnership with organizations around St. Pete.

The MOUNTAINTOP

By Katori Hall

Directed by Keith Arthur Bolden

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Important Dates

Rehearsals begin: October 22, 2024

Previews: November 6 - November 7, 2024

Opening: November 8, 2024

Closing: November 24, 2024

SYNOPSIS

A gripping reimagination of events the night before the assassination of the civil rights leader Dr. Martin Luther King, Jr. On April 3, 1968, after delivering one of his most memorable speeches, an exhausted Dr. King retires to his room at the Lorraine Motel while a storm rages outside. When a mysterious stranger arrives with some surprising news, King is forced to confront his destiny and his legacy to his people.

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sEEKING

[Dr. Martin Luther King, Jr.] Male-presenting; Black; 30-40; MLK at the time was 39. Nobel Peace Prize-winning Civil Rights Movement leader. Awe-inspiring, charming, and powerful with a brooding intelligence and almost hidden vulnerability. He can sometimes present as older than his true age. While being a brilliant orator, impassioned preacher, and a fearless leader, he is more than the hero in our history books. Brewing underneath is a human carrying all the vulnerability, fear, and weariness of an unquenchable lust for life.

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[Camae] Female-presenting; Black; 20-30; A young maid at the Lorraine Motel in Memphis, Tennessee. She is charming, confident and MLK’s equal. And although deeply human and vulnerable, there is much more to her than is first revealed. She owns the power of her convictions and sensuality, with an “otherworldly” strength. Carries a secret.

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NOTE: Local non union actors will also be considered for American Stage's School Tour of a new work entitled Familia de Flamingos and our Beyond the Stage Series of immersive work in partnership with organizations around St. Pete.

THIS GIRL LAUGHS, THIS GIRL CRIES, THIS GIRL DOES NOTHING


By Finegan Kruckemeyer

Directed by Helen R. Murray

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Important Dates

Rehearsals begin: December 30, 2024

Previews: January 22 - January 23, 2025

Opening: January 24, 2025

Closing: February 9, 2025

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‍Synopsis

Three young sisters are left in a forest by their woodcutter father and forced to find their own way in the world. From this fairytale beginning, three resolutions are made - one sister walks one way to find purpose, one the other to find adventure, and the third stays right where she is to create a home. Years later, having circumnavigated the globe and fought Vikings, crossed oceans, tamed wilds, and achieved greatness, the three sisters meet again, as women.

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sEEKING

[Albienne] Female-presenting; all ethnicities; 20s; Hungry to taste every experience in the world. A cake lover and a warrior. Her passions are all-consuming, but this can lead her to lose sight of herself. Has a carefree nature but discovers she has real mettle when she is tested.

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[Beatrix] Female-presenting; all ethnicities; 20s; Energetic, full of life, and at times tempestuous. Sometimes her sunny disposition can be clouded over in moments of despair. She is relentless when she sets her mind to something.

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[Carmen] Female-presenting; all ethnicities; 20s; Sensitive, deeply thoughtful and carries the weight of the world on her shoulders. Feels great responsibility and compassion towards others and as a result often keeps her own thoughts and needs to herself.

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[Father/Narrator] Male-presenting; all ethnicities; 30s-60s; A kind woodcutter who has his heart broken not once but twice; All remaining roles including The Lady in the Lighthouse, Sad City villagers, and more. 

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NOTE: Local non union actors will also be considered for American Stage's School Tour of a new work entitled Familia de Flamingos and our Beyond the Stage Series of immersive work in partnership with organizations around St. Pete.

HAIR

The American Tribal Love-Rock Musical

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Book and Lyric by Gerome Ragni and James Rado

Music by Galt MacDermot

Directed by TBD

Music Director: TBD

Choreographer: TBD

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Important Dates

Rehearsals begin: March 4, 2025

Previews: March 26 - March 27, 2025

Opening: March 28, 2025

Closing: April 27, 2025

*This production occurs offsite and outdoors at Demens Landing Park. 

**This production runs on a LORT contract. 

***No Nudity Required.‍

SYNOPSIS

The fiercely sensational rock musical follows a group of bohemian, counter-culture hippies that are bursting with jubilant spirit, a desire to fight the man, and spread peace and love. 

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sEEKING

[Claude] Male-presenting; 20s; Smart, attractive with a playful side; the tribe looks up to him. Despite being a free spirit, he struggles with following either his head or his heart.

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[Berger] Male-presenting; 20s; A social activist recently expelled from high school. Claude’s best friend and the leader of the tribe. High energy, athletic, wild. 

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[Sheila] Female-presenting; 20s; A second semester NYU student and passionate protester. Close with Berger and Claude and aspires to spread love. The smartest of the tribe.

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[Hud] Male-presenting; Black; 20s; Speaks his mind and hopes you can keep up with him. High energy, spiritual performer with a strong voice and presence.

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[Woof] Male-presenting; 20s; A golden retriever in human form. High energy, versatile performer. Has great comedic timing. Adores Berge and Mick Jagger. 

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[Jeanie] Female-presenting; 20s; A follower, not a leader. Pregnant. Incredibly sweet and head over heels in love with Claude. Wise, passionate, creative. She has taken every drug imaginable and looks after the tribe.

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[Dionne] Female-presenting; Black; 20s; Lots of fun and has great comedic timing. Strong voice. 

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[Crissy] Female-presenting; 20s; A flower child mourning “the one that got away” - The “baby” of the tribe.

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[Tribe] Male-presenting and Female-presenting; all ethnicities; 20s-30s; solos and smaller roles will be cast from the Tribe.

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NOTE: Local non union actors will also be considered for American Stage's School Tour of a new work entitled Familia de Flamingos and our Beyond the Stage Series of immersive work in partnership with organizations around St. Pete.

FAT HAM

By James Ijames

Directed by TBD

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Important Dates

Rehearsals begin: May 6, 2025

Previews: May 28 - May 29, 2025

Opening: May 30, 2025

Closing: June 22, 2025

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SYNOPSIS

Pulitzer Prize-winning playwright James Ijames reinvents Shakespeare’s masterpiece with his new drama, a delectable comic tragedy. Juicy is a queer, Southern college kid, already grappling with some serious questions of identity, when the ghost of his father shows up in their backyard, demanding that Juicy avenge his murder. It feels like a familiar story to Juicy, well-versed in Hamlet’s woes. What’s different is Juicy himself, a sensitive and self-aware young Black man trying to break the cycles of trauma and violence in service of his own liberation. From an uproarious family barbecue emerges a compelling examination of love and loss, pain and joy. 

sEEKING

[Juicy] Male-presenting; Black; 20s; Juicy is thicc. He’s beautiful. He is lonely. He is smart. A kind of Hamlet.

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[Tedra] Female-presenting; Black; 40s-50s; Juicy’s mother. She is a good mother. A kind of Gertrude.

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[Rev] Male-presenting; Black; 40s-50s; Tedra’s husband. Her dead ex-husband’s brother. Pig farmer and pit master. Electric. A kind of Claudius. Same actor as Pap.

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[Opal] Female-presenting; Black; 20s; One of Juicy’s only friends. She loves Ham and worries about him. A kind of Ophelia.

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[Larry] Male-presenting; Black; 20s; A boy that is attracted to Juicy. A marine. Trying to heal from PTSD. Has a secret. Awkward. A kind of Laertes.

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[Rabby] Female-presenting; Black; 40s-50s; Larry and Opal’s mother. Tedra’s friend. Semi-churchy but honestly she just wanna drink and praise the Lord. A kind of Polonius.

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[Pap] Male-presenting; Black; 40s-50s; Ghost of Juicy’s father. Was in prison for killing someone cause their breath stank, til he got shanked on the way to dinner. A kind of Hamlet's Father. Same actor as Rev.

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[Tio] Male-presenting; Black or Afro-Latinx; 20s-40s; Clever. Juicy’s cousin. Oldest friend. A kind of Horatio.

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NOTE: Local non union actors will also be considered for American Stage's School Tour of a new work entitled Familia de Flamingos and our Beyond the Stage Series of immersive work in partnership with organizations around St. Pete.

CINDERELLA EATS RICE AND BEANS

About the Show
What will happen to Cinderella at the ball … game? That's the surprising climactic question in this contemporary Latin-American Cinderella musical, which delightfully turns the classic fairy tale on its head, telling the story from both Cinderella and the "stepsister's" perspective. Cinderella, a newcomer from Puerto Rico, comes to visit her "stepsister," Rosa, in the United States. The catch … Cinderella only speaks Spanish and Rosa only speaks English. Will these two girls be able to reach an understanding at the (basket) ball game?


Rehearsal: September 19- October 9th (ideal Reh Schedule will be M-F 12-5pm/But this may fluctuate depending on actor/artistic team schedule)
Tour Begins/Ends: October 10-December 6- 9 depending of bookings (excluding the entire Thanksgiving week) Typical touring day starting as early as 7AM and ending as late as 4PM.
Performances at American Stage: December 3 & 4
‍Performances at Tampa Theatre: December 5 & 6

Rate: $500/week

‍Creative Team
Producing Artistic Director: Helen Murray
Associate Artistic Producer: Patrick Arthur Jackson
Director and Director of Education: Jose Aviles
Music Director: Juan Rodriguez

‍Other Important Information
Actors should be available for the entire tour run, September 26th - December 4th, 2022. Touring performances will be Monday-Fridays between 7AM and 3PM. There will be two performances on stage at American Stage on December 3rd and 4th.Rate: $500/week

Seeking

American Stage is seeking BIPOC local Non-Equity performers for the 22-23 American Stage Education School Tour CINDERELLA EATS RICE AND BEANS.

Preparations Instructions

Audition Dates & Details
‍Friday August 19, 2022
6PM-9PM

Saturday August 20, 2022
10AM-1PM

American Stage
163 3rd Street N. 
St. Petersburg, FL 33701

What to prepare: A 90 second monologue and 16 bars of a song that showcases your vocal ability

AUDITION BREAKDOWN

Actors who identify as Latine, Latinx, Hispanic, and/or Afro-Latinx, Black, African-American, are strongly encouraged to submit. In addition to cisgendered artists, non-binary and trans artists are encouraged to submit. Seeking actors who are strong movers, comfortable with singing and rapping.

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‍Characters

Cinderella (also known as Cenicienta)

A sixth grader from Puerto Rico visiting the United States to learn English. Female identifying. Actors should be fluent or comfortable speaking Spanish.

Complete Your Submission

Perusal Script

AUDITION BREAKDOWN

Note from Director: This is a punk rock opera, so don’t hold back in your auditions. We want to see strong emotions - show us your rage, your fear, your joy, your grief, all of your passion!

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Characters

Johnny - the guy who goes to the city; the Jesus of Suburbia

The self-proclaimed "Jesus of Suburbia." Bored of his do-nothing, go-nowhere existence, he takes off for the city to get a new lease on life. He wages an inner war between a budding love for Whatsername and growing dependency on St. Jimmy and drugs. Guitar skills are a plus. Vocal range B4/B2

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Tunny - the guy who goes to the city and the Middle East

Johnny's friend who follows him to the city and eventually enlists in the army. He travels to the Middle East. A lost dreamer who is easily swayed, first by Johnny's ideas and then by patriotism and the American Dream. Vocal Range B4/D3

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Will -  the guy that stays home in suburbia

Johnny's friend. He ends up staying in Suburbia with his pregnant girlfriend Heather. The more he stays on the couch, the more he becomes slowly disconnected from the world and his own relationships. Guitar skills a plus. Vocal Range  A4/C#3

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St. Jimmy - a city badass. Johnny’s alter ego (androgynous/non-binary)

Johnny's alter ego. Known as the "city badass." An enigmatic and charismatic enabler who gets Johnny addicted to drugs and grows jealous of his relationship with Whatsername. Vocal Range B4/C3

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Heather - a girl in suburbia. Will’s girlfriend

She discovers she is pregnant but has difficulty telling her boyfriend of the news. Once she settles down with him, she struggles to maintain their relationship with his despondency and eventually leaves him. Vocal Range E5/A3

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Whatsername -  a girl in the city

A rebel activist--fierce, strong, and capable--who falls for Johnny. She fights to have him embrace their authentic relationship rather than pursue his addiction.Vocal Range D#5/F#3

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Extraordinary Girl - a girl in the Middle East

Haunting, folk noir voice. A girl in the Middle East who appears as a hallucination to injured Tunny. Attractive and mysterious, she later appears as his nurse and accompanies him home after the war. Vocal Range E5/A#3

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Ensemble - 5-7 people

A collection of men, women, non-binary individuals to play a variety of characters.

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2025-2026 AuditionS & Submissions

Casting Statement:

American Stage Theatre Company is committed to an inclusive, anti-racist casting policy. 

American Stage Theatre Company is committed to creating a healthy and inclusive space for artists of all cultures and backgrounds to share their full humanity, during this exciting but challenging time. American Stage Theatre Company chooses to build upon our legacy and create a new American Stage that enriches and embodies the rich diversity and cultural tapestry of America and truly reflects the American experience.

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Casting and Audition Goals:

  • We will strive to have at least ¼ of the cast composed of BIPOC artists.
  • We will aim to have ¼ to ½ of our cast composed of local artists. 
  • We will support our artists during the rehearsal and production process with cultural consultants, practitioners, technicians and designers of color or allies who are educated on the needs and experiences of artists of color.

NOTE: If you have performed with American Stage within the past two seasons, you do not need to audition at the season auditions. Simply email us at auditions@americanstage.org with the shows for which you would like to be considered.

American Stage seeks Equity and Non Equity actors for Principal roles in their 2026-2027 season.

AUDITION DETAILS:

Monday, April 20th & Tuesday, April 21, 2026

American Stage Theatre Company

163 3rd St N

11:00 AM - 7:00 PM (E)

St Petersburg, FL 33701

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We are open to all ethnicities, genders, and abilities. Actors are encouraged to submit for any role they are interested in.

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To schedule an appointment, please visit https://auditionsmanager.com/registration.php?AU=t6G1OT1809

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We are open to all ethnicities, genders, and abilities. Actors are encouraged to submit for any role they are interested in.

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Priority appointments are given to AEA members only. Non-Equity members are encouraged to attend and will be seen as time permits. Non-Equity actors may request to be placed on a waiting list by emailing a copy of your headshot and resume, as well as desired time frame, to auditions@americanstage.org. We encourage non-union members to email in advance for consideration. Please use the subject line “Waitlist - YOUR NAME.”

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Actors who cannot attend in person may submit virtually by 5/1. Please prepare the audition package and send your headshot, resume, and link to one video to auditions@americanstage.org. Please use the subject line “Virtual Submission - YOUR NAME”. Please note we are primarily seeking actors who are local to the greater Tampa Bay area.

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If you have worked with American Stage within the last two seasons, you do not need to attend these auditions. Please simply email a copy of your headshot and resume to auditions@americanstage.org with your name in the subject line and list which shows you would like to be considered for.

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AUDITION BREAKDOWN:

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A Night With Janis Joplin

by Randy Johnson

Directed by TBA


Important Dates
First Rehearsal: August 25, 2026

Tech: September 10 - 13, 2026
Opening: September 18, 2026
Closing: October 11, 2026

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SYNOPSIS:
Spend a night with the legend Janis Joplin as she shares her inspirations, her story and the gift of her talent. Featuring Janis’s biggest hits including “Piece of My Heart,” “Me and Bobby McGee” and so many more, this musical will have you leaving the theatre with your heart full. A music driven theatre event focusing on the artist, her music, and her musical influences.

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SEEKING:


JANIS JOPLIN - any age to play 20s - Female Identifying. Great, authentic rock & roll/blues voice with incredible range, stage presence, and powerhouse vocals. (ALSO SEEKING UNDERSTUDY FOR THIS ROLE.) G3 - A5

JOPLINAIRE 1 - any age - Female Identifying. Strong blues, rock, and legit vocals required. To play Odetta, Bessie Smith, and others. G3 - E5.

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JOPLINAIRE 2 - any age - Female Identifying. Strong blues, rock, and legit vocals required. To play Etta James and others. G3 - E5.

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JOPLINAIRE 3 - any age - Female Identifying. Strong blues, rock, and legit vocals required. To play Aretha Franklin, Nina Simone, and others. G3 - A5.

JOPLINAIRE 4 - any age - Female Identifying. Strong blues, rock, and legit vocals required. To play a Blues Singer, Chantel, and others.G3 - A5.

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UNHINGED

by Steven J. Burge

Directed by Helen R. Murray


Important Dates
First Rehearsal: October 20, 2026

Tech: October 29 - November 1, 2026
Opening: November 6, 2026
Closing: November 22, 2026

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SYNOPSIS:
Part confessional. Part storytelling. All ridiculous, “UNHINGED” is a 75-minute tour de force that, depending on statutes of limitations and local laws regarding admission of guilt wherever this may be produced, is either 100% fictional or entirely autobiographical. Trigger warning:  This show contains a cis white man talking about himself for over an hour. It also contains some legit-upsetting topics like parallel parking; theater camp; coming out in small-town, rural America; assault; addiction; pickle ball; and mental illness. Oh! And clowns!

SEEKING:


NARRATOR - Role is cast.

SIRI - Female identifying, any age. The embodiment of both AI, and the women in Steven’s life. Smart, tough, and kind. The ultimate therapist and friend.

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Macbeth, Macbeth, Macbeth

by Helen R. Murray

Directed by Rex Daugherty


Important Dates
First Rehearsal: January 5, 2027

Tech: January 21 - 24, 2027
Opening: January 29, 2027
Closing: February 21, 2027

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SYNOPSIS: 

This wild new adaptation launches Shakespeare’s Macbeth into a three-person theatrical hurricane. Heroes become villains, witches become warriors, and kings don’t stay kings for long as performers swap roles at breakneck speed. It’s a hilarious, high-stakes game of theatrical musical chairs — with daggers. But as the laughter builds, so does the question at the heart of the story: Why do we crave power… even when we know it will cost us everything? A sharp, physical, and darkly funny world premiere that proves the fastest way to the throne is also the messiest.

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SEEKING:

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Macbeth - any age, any gender, any ethnicity - Seeking three (3) multifaceted actors with strong movement skills. All three actors play Macbeth and all the other characters. Comfort with playing multiple roles, fight choreography, and movement work is encouraged.


Shrek the Musical

Music by Jeanine Tesori
Book and Lyrics by David Lindsay-Abaire
Based on the Dreamworks Animated Motion Picture & the book by William Steig
Directed by Helen R. Murray

Important Dates
First Rehearsal: March 9, 2027

Tech: March 23 - 28, 2027
Opening: April 2, 2027
Closing: May 2, 2027

*Note: This production occurs offsite and outdoors.

SYNOPSIS:

"Once upon a time, there was a little ogre named Shrek...." And thus begins the tale of an unlikely hero who finds himself on a life-changing journey alongside a wisecracking Donkey and a feisty princess who resists her rescue. Throw in a short-tempered bad guy, a cookie with an attitude and over a dozen other fairy tale misfits, and you've got the kind of mess that calls for a real hero. Luckily, there's one on hand... and his name is Shrek. Based on the Oscar-winning DreamWorks Animation film, Shrek The Musical brings all the beloved characters you know from the film to life on stage and proves there's more to the story than meets the ears. 

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SEEKING:

Shrek - 25 - 45 - male identifying.

Our story's title character. A big, green, terrifying ogre who lives alone on a swamp. He embarks on a journey to rid his land of fairytale creatures and, along the way, falls in love with Fiona. Begins as a grumpy hermit, but reveals his layers and eventually becomes the hero. Strong vocals and presence. A2 - G#4

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Fiona - 20s - 30s - Female identifying.

The beautiful princess of Far Far Away, she transforms into an ogre every night when the sun sets. Rescued by Shrek and eventually falls in love with him. Quirky, blunt, and multitalented, she is not an ordinary princess. Strong vocals and dance ability. F3 - G5

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Donkey - 20s - 30s - Male identifying. 

A talking donkey who joins Shrek on the run from Farquaad's guards. Quite the chatterbox, he is not deterred by Shrek's looks and practically forces himself into his good graces. Easily frightened and pushy, but also an optimist with heart. Strong vocals and comedic skills. C3 - B4.

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Lord Farquaad - 30s - 40s - Male identifying.

The comically short, ruthless ruler of Duloc. He is in search of a princess to marry so that he can become king. Has an intensely unfair bias against fairytale creatures that stems from a resentment of his father. Self-absorbed, lonely, and cruel. Strong vocals and comedic skills. B2 - D5.

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Dragon - 20s - 40s - Female identifying.

A dragon that has been charged with guarding Princess Fiona in her isolated castle. She eventually falls in love with Donkey and attempts to keep him there forever. Imposing and flirtatious, but tired of her job as the glorified baby-sitter. F3 - Eb5

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Gingy - 20s - 40s - Female identifying.

A gingerbread man initially kidnapped by Lord Farquaad. His wit and resolution help him both avoid trouble and inspire the rest of the fairytale creatures. Puppet. B3 - C#5

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Pinocchio - 20s - 40s - Male identifying.

The leader of the fairytale creatures. He is an animated puppet whose nose grows every time he lies. Plenty of sass with a penchant for lying. E3 - F#4

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Big Bad Wolf / Knight / Ensemble - Any age, Male identifying. Seeking a versatile group of strong singers, movers, and actors to play multiple roles. 

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Little Pig 1 / Duloc Guard / Blind Mice - Any age, any gender. Seeking a versatile group of strong singers, movers, and actors to play multiple roles. 

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Little Pig 2 / Duloc Guard / Ensemble - Any age, any gender. Seeking a versatile group of strong singers, movers, and actors to play multiple roles.

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Little Pig 3 / Knight / Ensemble - Any age, any gender. Seeking a versatile group of strong singers, movers, and actors to play multiple roles.

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Blind Mice- Lead Mouse / Ensemble - Any age, any gender. Seeking a versatile group of strong singers, movers, and actors to play multiple roles.

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Mama Bear / Wicked Witch / Ensemble - Any age, Female identifying. Seeking a versatile group of strong singers, movers, and actors to play multiple roles.

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Papa Bear / Duloc Guard / Knight - Any age, Male identifying. Seeking a versatile group of strong singers, movers, and actors to play multiple roles.

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Baby Bear / Blind Mice / Ensemble - Any age, any gender. Seeking a versatile group of strong singers, movers, and actors to play multiple roles.

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Peter Pan / Rat Tapper / Guard / Ensemble Any age, any gender. Seeking a versatile group of strong singers, movers, and actors to play multiple roles.

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by Kate Hamill

Directed by TBA


Important Dates
First Rehearsal: May 18, 2027

Tech: May 27 - 30, 2027
Opening: June 4, 2027
Closing: June 20, 2027

SYNOPSIS:
An irreverent, darkly comic, modern take on Sir Arthur Conan Doyle’s famous sleuth and sidekick, this fast-paced romp re-examines the world’s most famous detective story with a bold new feminist lens. In this highly theatrical, small cast escapade, oddball female roommates Sherlock Holmes & Joan Watson join forces to emerge from pandemic fog as a deeply codependent, quasi-dysfunctional Odd Couple adventure duo - solving mysteries and kicking butts, until they come face to face with a villain who seems to have all of the answers. 

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SEEKING:


SHERLOCK HOLMES - 30s-40s, female-identifying. A once-in-a-generation genius. Eccentric. Focused, to a fault. Can be less-than-sensitive. Always playing psychological 3-D chess; operating on a totally different level than civilians. Like many geniuses, has a megalomaniac streak. Gets bored easily; likes applause; sometimes accused of being unfeeling. LOVES costumes and drama.

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DR. JOAN WATSON - 30s-40s, female-identifying. American. Formerly type-A high-achiever. Recently divorced; struggling to find herself, feels broken. Reflexively defensive. Once had great bedside manner. Sometimes accused of being a loser; is not a loser. Wry. Smart.

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IRENE ADLER/MRS. HUDSON/MRS. DREBBER - Late 20s-40s, female-identifying.

Irene Adler: A whip-smart, super-charming sex worker finding success at the highest levels. Always playing psychological 3-D chess; operating on a totally different level than civilians. Has incredible charm, confidence, and wit, and she knows it—uses it without mercy. You may want to be Irene, or you may want to be with Irene; but you can’t ignore her.

Mrs. Hudson: Holmes & Watson’s long-suffering landlady.

Mrs. Drebber: Seemingly an ordinary housewife. Somebody you would be very wise not to underestimate.

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MORIARTY / LESTRADE / ELLIOT MONK - 30s-50s, male-identifying.

Moriarty: A criminal so great you’ve never heard of him. A master blackmailer; knows just when to play his cards. Always playing psychological 3-D chess; operating on a different level than civilians. Wears many masks. A professional. Amoral, but you’d like him.

Lestrade: An inspector new to his position at Scotland Yard. Not very imaginative. Often says the wrong thing.

Elliot Monk: An amoral tech billionaire from Texas.

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Ragtime

Book by Terrence McNally
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Directed by Erica Sutherlin
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Important Dates
Rehearsals Begin: March 14, 2023
Tech: April 3-9, 2023
Previews: April 14, 2023
Performance Run: April 14 - May 14, 2023

‍Other Important Information
NOTE: We are casting this production diversely, BIPOC actors will be considered for roles not traditionally cast.

Seeking

American Stage seeks vaccinated Equity actors for a variety of roles in the final three productions for the 22-23 mainstage season titled, THIS IS AMERICA. 

Non-equity performers are permitted to submit, after all Equity members are seen. 

All first round auditions will be held in person, with video submissions being accepted for non local artists. Callbacks may be held in person at American Stage for local artists and virtually for non local artists. 

All roles will be understudied.

Preparations Instructions

WHAT TO PREPARE
Actors who would like to be considered for Ragtime should prepare a monologue and 16 bars of a song that highlights their vocal range and allows the actor to showcase their storytelling ability.
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PERSONEL
‍The following individuals may be viewing auditions:
Helen Murray, Producing Artistic Director
Patrick Arthur Jackson, Associate Artistic Producer
‍Alexa Perez, Artistic Fellow
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SUBMISSION INSTRUCTIONS 
Equity members may schedule an appointment via Auditions Manager: https://auditionsmanager.com/registration.php?AU=yTbpwp806

Non-Equity actors should request a standby appointment by emailing auditions@americanstage.org

Video Submissions for Non-Local Equity and Non-Equity actors who are unable to attend in person auditions can submit video submission and headshot/resume via Auditions Manager: https://auditionsmanager.com/submission.php?AU=sMVA4Y805

Video Submissions will be accepted through November 20th, 2022 at 9PM EST. Video submissions are limited to actors who cannot physically attend in person auditions on Saturday, November 19 and Sunday, November 20 from 1PM-9PM EST.

SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D  + health and pension approximately $650

American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.

AUDITION BREAKDOWN

PARTS DENOTED BY * WILL PLAY MULTIPLE ROLES AS NEEDED‍ENTIRE CAST DOUBLES AS ENSEMBLE AS NEEDED

‍COALHOUSE WALKER JR.- African-American he/him. 25-35 (range: Ab to G, with a sustained high F#). A proud and talented pianist, confident and stubborn. Sophisticated with a romantic demeanor and a gentle heart. Piano playing is helpful but not essential. PRINCIPAL

MOTHER-Anglo-American she/her/hers. 30+ (lyric soprano; range: low G to high Eb on staff) gentle, compassionate, optimistic PRINCIPAL

TATEH- Eastern European/Jewish Immigrant, he/him/his, 30+. slight accent, (strong tenor; range: Db to high F#) intelligent, passionate, creative. PRINCIPAL

SARAH- African-American, she/her/hers, Late teens-early 20's. Late teens-early 20's (lyric soprano; range: low G# to high F# on staff) PRINCIPAL

FATHER*- Anglo-American, he/him/his, 40+. (strong baritone; range: B to E on staff) cautious; resistant to change PRINCIPAL

YOUNGER BROTHER*- Anglo-American, he/him/his, 20-25+. (tenor/baritone with strong top range: B to high F#) passionate anarchist; intense and high-strung PRINCIPAL

LITTLE BOY- Anglo-American male. 8-12 (juvenile voice; range: E to Db on staff) precocious and curious. PRINCIPAL

LITTLE GIRL- Tateh's daughter: Eastern European/Jewish Immigrant she/her/hers. 8-12 (juvenile voice; range: E to Db on the staff) quiet and shy. PRINCIPAL

EMMA GOLDMAN*- Eastern European/Jewish Immigrant; she/her/hers/ 40+. slight accent. (alto, range: low G# to Db on staff) PRINCIPAL

HARRY HOUDINI*- Hungarian Immigrant, he/him/his, 30+.; Magician/bodybuilder. (tenor; range: mid. C to high G) Familiarity with magic/escape tricks a plus. PRINCIPAL

EVELYN NESBITT*- Anglo-American she/her/hers. Vaudevillian performer. 18-25 (belter/soprano, range: middle C to Db on staff) PRINCIPAL

GRANDFATHER*- Mother's father, Anglo-American he/him/his. 55+ (strong baritone) gruff & outspoken. PRINCIPAL

BOOKER T. WASHINGTON*- African-American he/him/his, distinguished. 45+ (strong baritone) PRINCIPAL

HENRY FORD*- Anglo-American he/him/his. 30-45 Wiry. Resemblance to actual historical figure a plus, (strong tenor/baritone) PRINCIPAL

J.P. MORGAN*- Anglo-American he/him/his, 45+. banking mogul. (strong baritone) Stout. Imposing. Resemblance to actual historical figure a plus, PRINCIPAL

WILLIE CONKLIN*- Anglo-American he/him/his; Tough, crass, working class. 30-45 (strong baritone D to F) PRINCIPAL

SARAH’S FRIEND*- African-American she/her/hers, 20-40. Must have a very strong gospel sound capable of “taking us to church.” 

COALHOUSE’S FRIEND*- African-American he/him/his, 20-40. Strong singer and actor. Capable of playing several different roles.

ENSEMBLE #1*- Any Ethnicity. she/her/hers. 20-40. Strong singer and actor. Capable of playing several different roles.

ENSEMBLE #2*- Any Ethnicity. he/him/his. 20-40. Strong singer and actor. Capable of playing several different roles.

Disgraced

By Ayad Ahktar
Directed by Sharifa Yasmin
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Important Dates
Rehearsals Begin: May 9, 2023
Tech: May 26-28, 2023
Previews: May 30-June 1, 2023
Performance Run: June 2-June 25, 2023

‍Other Important Information
‍American Stage operates under an SPT-7 contract and provides individual housing and travel for guest artists who do not reside in the Tampa Bay Area (50 mile radius). EMC points are available for those who qualify.

Seeking

American Stage seeks vaccinated Equity actors for a variety of roles in the final three productions for the 22-23 mainstage season titled, THIS IS AMERICA. 

Non-equity performers are permitted to submit, after all Equity members are seen. 

All first round auditions will be held in person, with video submissions being accepted for non local artists. Callbacks may be held in person at American Stage for local artists and virtually for non local artists. 

All roles will be understudied.

Preparations Instructions

WHAT TO PREPARE
Actors who would like to be considered for Disgraced or La Gringa, should prepare two contrasting monologues.
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PERSONEL
The following individuals may be viewing auditions:
Helen Murray, Producing Artistic Director
Patrick Arthur Jackson, Associate Artistic Producer
‍Alexa Perez, Artistic Fellow
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SUBMISSION INSTRUCTIONS 
Equity members may schedule an appointment via Auditions Manager: https://auditionsmanager.com/registration.php?AU=yTbpwp806

Non-Equity actors should request a standby appointment by emailing auditions@americanstage.org

Video Submissions for Non-Local Equity and Non-Equity actors who are unable to attend in person auditions can submit video submission and headshot/resume via Auditions Manager: https://auditionsmanager.com/submission.php?AU=sMVA4Y805

Video Submissions will be accepted through November 20th, 2022 at 9PM EST. Video submissions are limited to actors who cannot physically attend in person auditions on Saturday, November 19 and Sunday, November 20 from 1PM-9PM EST.

SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D  + health and pension approximately $650

American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.

SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D  + health and pension approximately $650

American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.
SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D  + health and pension approximately $650

American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.

AUDITION BREAKDOWN

AMIR: 30’s, Pakistani-American, he/him/his. He is Emily’s husband and Abe’s uncle. Amir is a brilliant, ambitious, and successful lawyer. He is so sharply dressed and sophisticated it nearly masks his deep self-consciousness and insecurity. He is very “liberal” in his view of religion and a critic of Islam. He feels he is on the verge of a career breakthrough but is insecure about his standing at the firm. Role will be cast with a South Asian actor.

EMILY: 30’s, White, she/her/hers.  Amir’s wife is warm, articulate, and compassionate, a complement and contrast with Amir.  She is a talented painter on the cusp of significant success.  She developed an interested in the art of Islam as a way to understand her husband’s culture and has worked hard to educate herself and broaden her personal and world views. 

ABE: early 20s, Pakistani-American, she/her/hers. Amir’s nephew is “As American as American gets,” vibrant and endearing in his hoodie, skinny jeans, and high-tops.  He is strong, quiet, and a thoughtful, passionate young man of conviction.  He is smart and engaging with an awakening sense of social and personal justice. 

ISAAC: 30’s, White, he/him/his.  Isaac is a curator at the Whitney Museum, a man with immense power in the art world, which he knows but doesn’t often flaunt.  As part of the intellectual elite in New York City he is quick with a quip and a sharp critical eye and tongue.  He would be irritatingly snobbish if he weren’t also charming.  He is not political by nature but he is a committed Jewish liberal.

JORY: mid to late-30s, African-American, she/her/hers.  Jory, Isaac’s wife, is an ambitious and savvy lawyer, intelligent, commanding, forthright.  She is confident and self-assured having wrestled her way to the top of the law firm where she and Amir work.  She is not afraid to fight for what she wants and get her hands dirty if necessary.

CINDERELLA EATS RICE AND BEANS

About the Show
What will happen to Cinderella at the ball … game? That's the surprising climactic question in this contemporary Latin-American Cinderella musical, which delightfully turns the classic fairy tale on its head, telling the story from both Cinderella and the "stepsister's" perspective. Cinderella, a newcomer from Puerto Rico, comes to visit her "stepsister," Rosa, in the United States. The catch … Cinderella only speaks Spanish and Rosa only speaks English. Will these two girls be able to reach an understanding at the (basket) ball game?


Rehearsal: September 19- October 9th (ideal Reh Schedule will be M-F 12-5pm/But this may fluctuate depending on actor/artistic team schedule)
Tour Begins/Ends: October 10-December 6- 9 depending of bookings (excluding the entire Thanksgiving week) Typical touring day starting as early as 7AM and ending as late as 4PM.
Performances at American Stage: December 3 & 4
‍Performances at Tampa Theatre: December 5 & 6

Rate: $500/week

‍Creative Team
Producing Artistic Director: Helen Murray
Associate Artistic Producer: Patrick Arthur Jackson
Director and Director of Education: Jose Aviles
Music Director: Juan Rodriguez

‍Other Important Information
Actors should be available for the entire tour run, September 26th - December 4th, 2022. Touring performances will be Monday-Fridays between 7AM and 3PM. There will be two performances on stage at American Stage on December 3rd and 4th.Rate: $500/week

Seeking

American Stage is seeking BIPOC local Non-Equity performers for the 22-23 American Stage Education School Tour CINDERELLA EATS RICE AND BEANS.

Preparations Instructions

Audition Dates & Details
‍Friday August 19, 2022
6PM-9PM

Saturday August 20, 2022
10AM-1PM

American Stage
163 3rd Street N. 
St. Petersburg, FL 33701

What to prepare: A 90 second monologue and 16 bars of a song that showcases your vocal ability

AUDITION BREAKDOWN

Actors who identify as Latine, Latinx, Hispanic, and/or Afro-Latinx, Black, African-American, are strongly encouraged to submit. In addition to cisgendered artists, non-binary and trans artists are encouraged to submit. Seeking actors who are strong movers, comfortable with singing and rapping.

‍

‍Characters

Cinderella (also known as Cenicienta)

A sixth grader from Puerto Rico visiting the United States to learn English. Female identifying. Actors should be fluent or comfortable speaking Spanish.

Complete Your Submission

Perusal Script

AUDITION BREAKDOWN

Note from Director: This is a punk rock opera, so don’t hold back in your auditions. We want to see strong emotions - show us your rage, your fear, your joy, your grief, all of your passion!

‍

Characters

Johnny - the guy who goes to the city; the Jesus of Suburbia

The self-proclaimed "Jesus of Suburbia." Bored of his do-nothing, go-nowhere existence, he takes off for the city to get a new lease on life. He wages an inner war between a budding love for Whatsername and growing dependency on St. Jimmy and drugs. Guitar skills are a plus. Vocal range B4/B2

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Tunny - the guy who goes to the city and the Middle East

Johnny's friend who follows him to the city and eventually enlists in the army. He travels to the Middle East. A lost dreamer who is easily swayed, first by Johnny's ideas and then by patriotism and the American Dream. Vocal Range B4/D3

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Will -  the guy that stays home in suburbia

Johnny's friend. He ends up staying in Suburbia with his pregnant girlfriend Heather. The more he stays on the couch, the more he becomes slowly disconnected from the world and his own relationships. Guitar skills a plus. Vocal Range  A4/C#3

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St. Jimmy - a city badass. Johnny’s alter ego (androgynous/non-binary)

Johnny's alter ego. Known as the "city badass." An enigmatic and charismatic enabler who gets Johnny addicted to drugs and grows jealous of his relationship with Whatsername. Vocal Range B4/C3

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Heather - a girl in suburbia. Will’s girlfriend

She discovers she is pregnant but has difficulty telling her boyfriend of the news. Once she settles down with him, she struggles to maintain their relationship with his despondency and eventually leaves him. Vocal Range E5/A3

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Whatsername -  a girl in the city

A rebel activist--fierce, strong, and capable--who falls for Johnny. She fights to have him embrace their authentic relationship rather than pursue his addiction.Vocal Range D#5/F#3

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Extraordinary Girl - a girl in the Middle East

Haunting, folk noir voice. A girl in the Middle East who appears as a hallucination to injured Tunny. Attractive and mysterious, she later appears as his nurse and accompanies him home after the war. Vocal Range E5/A#3

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Ensemble - 5-7 people

A collection of men, women, non-binary individuals to play a variety of characters.

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Frequently asked questions

Does American Stage hire non-equity actors?

Yes. We work with both Equity and Non-Equity professional actors.

What is your AEA contract?

American Stage Theatre Company operates under an SPT-7 contract, pending approval. Approximately $638 weekly minimum for equity actors and $550 weekly minimum for non-union actors. American Stage Theatre Company’s “Musical in the Park” production operates under a LORT contract, pending LOA. Approximately $776 weekly minimum for equity actors and $550 weekly minimum for non-union actors. 

When/where do you hold auditions?

See Information listed above. All audition dates and locations will be provided there.

I just auditioned for you. When will I hear back?

It depends on a lot of factors. Our goal is to cast shows at least three months in advance of first rehearsal, though we may not always achieve it. After a general season audition, we’ll bring people in at various times for individual show callbacks. After a show-specific audition or callback, we may cast the piece right away, or may still be looking to see other actors, depending on what we still need. Casting is a puzzle. We need to balance our AEA/Non-AEA ratio, locals vs. out-of-town actors, and 100 other factors to get just the right group of people to help us tell powerful stories. We thank you for your patience.

I am a local actor with a day job. Can I still be considered?

Absolutely! We encourage all local actors to audition.

What is your rehearsal schedule?

It can vary by show.

Do you provide housing for out-of-town actors?

Yes. American Stage has a limited number of housing spots available to out-of-town artists.